Bell and Howell 70

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Bell and Howell 70 - aka Filmo

Format: 16mm rangefinder

Year: 1926-1982 (56 years!)

Lens: C mount

Manual Focus

Manual Exposure

Frame rates: 12-64 variable non-sync

Spring wound, 35 seconds @ 24fps

No sound, no electronics. Entirely mechanical camera.

http://www.tfgtransfer.com/filmo.htm

[edit] Comments

Models:

70A - First introduced 1926, one of the first 16mm cameras. Black, 100', dual perf sprockets. Speed governor on front.
$40 eBay 8/2005

70DA - Introduced 1930's. The first "modern" Filmo - mechanically. Speed governor moved into clockwork mechanism. Parts mostly interchangable from now on. 100' rolls, primitive viewfinder. Black or brown, single or dual perf sprockets.
$40 eBay 8/2005

70DL - Introduced 1940's. Improved viewfinder - 3 lens. Brown, single perf.
$60 eBay 8/2005

70DR - Introduced 1960's. 3 lens viewfinder geared to main lens turret. Brown, single perf. The state of the art in rugged American 16mm technology of its day, this is the model to get.
$100 eBay 8/2005

70E - Like -DA
$40 eBay 8/2005

70H - Able to accept 400' magazines and external electric motor
$60 eBay 8/2005

70HL - 400' magazine/ext. motor version of DL
$100 eBay 8/2005

70HR - 400' magazine/ext. motor version of DR
$150 eBay 8/2005

70KRM - Military version of 70HR. Military green.
$250 eBay 8/2005

70SSR - High speed model

Eyemo and Filmo Manuals can be found at the NCS Products Site: http://www.intervalometers.com/bh/index.php

Audadvnc: The B&H 70 Filmo was one of the first 16mm cameras, introduced in the 1920's for amateur and home movie shooting. Its ruggedness and compact size made it a common MP camera in the Armed Forces from WW2 through the Viet Nam era and a very popular silent newsgathering camera in the 60's and 70's before the onset of video news gathering. The camera accepts "C" mount lenses on its 3-lens turret; early Filmos used Cooke lenses; a common lens complement in the later Filmo DR/HR/KRM series was the Angenieux 15/25/75 set. Several Filmos have been fitted with zoom lenses from Som Berthiot or Angenieux, which tend to be rather heavy for the C mount and camera, but can still work OK.

Of the MP cameras I've owned over the years, the 16mm Filmo DA/DR is the one I most like to use when given the chance. It's simple, comfortable to use, uniquely handsome and virtually indestructable. It doesn't have the precision, high-tech finesse of an Arri or Aaton, and it can't be used as a sound speed dialog camera, but it (and its big brother the 35mm Eyemo, B&H 71) is a classic smart design that if treated with a bit of respect will take steady pictures as long as they're making film. It's the DC3 of film cameras.