Editing Nizo 800 P Professional

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   | optical = No
 
   | optical = No
 
   | weight = 1400g  
 
   | weight = 1400g  
   | dimensions = 23cm x 21cm x 7,5cm  
+
   | size = 23cm x 21cm x 7,5cm  
 
   | power = 6 x AA / external   
 
   | power = 6 x AA / external   
 
   | original$ = aprox. 1.185
 
   | original$ = aprox. 1.185
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==Reviews==
 
==Reviews==
The Nizo professional is one of the best super8 cameras ever built. Alongside the professional [[:Category:Beaulieu|Beaulieu-cameras]], the [[:Leicina Special|Leicina special]], the [[Bauer S 715 XL Microcomputer]], the [[:Nikon R 10 Super|Nikon R10]], the [[:Canon 1014 XL-S CANOSOUND|Canon 1014XL-S]] and some others it has extensive features combined in a - for the time - quite small form factor. As the first camera of its kind, the legendary Nizo professional has been equipped with a Schneider Macro-Variogon 1,8/7-80 mm lens system. This multi-coated masterpiece of optic precision engineering enables zoom and macro capabilities which have been superior compared to the majority of cameras available in the mid 70´s. The lens system of a Nizo professional can produce sharp and colour neutral shots with a minimal object distance of 1.5m. Objects in macro-scale can be filmed as near as 1cm, whereas the macro-range of the lens follows the final position of the wide angle scale. The minimal picture field is within 41 x 30mm.
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The Nizo professional is one of the best super8 cameras ever built. Alongside the professional [[:Category:Beaulieu|Beaulieu-cameras]], the [[:Leicina Special|Leicina special]], the [[Bauer S 715 XL Microcomputer]], the [[:Nikon R 10 Super|Nikon R10]], the [[:Canon 1014 XL-S CANOSOUND|Canon 1014XL-S]] and some others it has extensive features cobined in a - for the time - quite small form factor. As the first camera of it´s kind the legendary Nizo professional has been equiped with a Schneider Macro-Variogon 1,8/7-80 mm lenssystem. This multicoated masterpiece of optic precision engineering enables zoom and macro capabilities which have been superior compared to the majority of cameras available in the mid 70´s. The lenssystem of a Nizo professional can produce sharp and color neutral shots with a minimal object distance of 1,5 m. Objects in macroscale can be filmed as near as 1 cm wheras the macrorange of the lens follows the final position of the wide angle scale. The minimial picture field is within 41 x 30 mm.
  
At its introduction in 1975, Braun presents its top-of-the-line model as a compact camera, which, given the 12x zoom now capable of macro takes using the build-in lens and the delicate weight of 2 kg seems a little bit understated. However, the Nizo professional was, compared to its rival products and as already mentioned above, built quite compactly. Braun's design department, under the chairmanship of Dieter Rams is responsible for the still attention drawing shaping of the Nizo professional and the silver family. The accessibility of the few control elements and switches is cleaned up and well aligned. But none the less ,the Nizo professional features technical goodies such as the further developed time exposure. Due to a special light meter, each frame is exposed exactly the amount of time needed for the given light setting. Afterwards, the next frame is automatically brought into the picture frame and released for exposure by the light sector of the rotatable shutter. Thus, static scenes can be banned on film outstandingly without the use of any hand-held light meter, fiddling and calculations. Unfortunately, the camera is missing a frame counter, which is incomprehensible regarding the complex automatic time lapse incorporated in the Nizo professional.
+
At its introduction in 1975 Braun presents its top-of-the-line model as a compact camera, which, given the 12 fold zoom now capable of macro takes using the build-in lens and the delicate weight of 2 kg seems a little bit understated. However, the Nizo professional was, compared to its rival products and as allready mentioned above, built quite compactly. Brauns design department, under the chairmanship of Dieter Rams is responsible for the still attention drawing shaping of the Nizo professional and the silver family. The accessibility of the few control elements and switches is cleaned up and well alligned. But none the less the Nizo professional features technical goodies such as the further developed time exposure. Due to a spezial light meter each frame is exposed exactly the amount of time needed for the given light setting. Afterwards the next frame is automatically brought into the picture frame and realesed for exposure by the light sector of the rotatable shutter. Thus static scenes can be banned on film outstandingly without the use of any hand-held light meter, fiddling and calculations. Unfortunately the camera is missing an frame counter, which is incomprehensible regarding the complex automatic time laps incorporated in the Nizo professional.
  
The Nizo professional is powered by 6 standard AA batteries which are housed in a battery-box and are therefore secured in case of any battery leakage. The battery-box used in the camera can be used in almost all of the later Nizo cameras. A unique feature of the Nizo professional is the fold-able handle, which houses the batteries, and is capable of powering the camera even while back-folded. If the handle is back-folded a stable ground plate offers standard tripod mounting capabilities allowing a very sturdy fixation compared to the mounting position found on the bottom of the handle. The later one used to be very shaky due to the unstable plastic housing of the handle itself. In contrast to its model family (the S 800, S 801 and so on) the battery-pack does additionally power the build in light meter. Thus avoiding an extra battery-set of two 1,35 V Cells which are hard to find nowadays. The Nizo professional does also feature a power-supply-plug where one of Braun's supplies, such as the SRN 80 can be used to power the camera over an extended period of time. This is especially useful for long time lapse shots.
+
The Nizo professional is powered by 6 standard AA batteries which are housed in a batterybox and are therefore secured in case of any battery leakage. The batterybox used in the camera can be used in allmost all of the later Nizo cameras. A unique feature of the Nizo professional is the foldable handle, which houses the batteies, and is capable of powering the camera even while backfolded. If the handle is backfolded a stable ground plate offers standard tripod mounting capabilities allowing a very sturdy fixation compared to the mounting position found on the bottom of the handle. The later one used to be very shaky due to the unstable plastic housing of the handle itself. In contrast to its model family (the S 800, S 801 and so on) the batterypack does additionally power the build in light meter. Thus avoiding an extra batteryset of two 1,35 V Cells which are hard to find nowadays. The Nizo professional does also feature an power supply plug where one of Brauns supplies, such as the [[SRN 80]] can be used to power the camera over an extended period of time. This is especially useful for long time laps shots.
 
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===by Super8Scientist, 2018===
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Pros: The two reasons to get this camera (to shoot with) in my opinion are the handle that lets you continue shooting with it folded back (unique to this Nizo), and the lens. The lens is an 8.7/10, not my favorite but definitely good. And slightly better than the S 800 and the 801 macro. The sync-sound option built into the camera is definitely cool, though I'm not sure why you'd use it as this isn't really a quiet camera. The camera is also relatively lightweight.
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Cons: I've never really liked the design of the Nizos, they always feel kind of plastic-y and they tend to scratch and dent easily. You'd think this being the "professional" model that they'd reinforce the outer shell a bit but I don't think they did. I almost always reach for my 6080 instead of this camera. A serviced 6080 will match the Professional in image quality and is a more useful camera for live sound recording.
+
Otherwise it does make a nice (albeit expensive) collection piece, especially considering William Shatner used a Nizo camera in the Star Trek episode "Patterns of Force".
+
  
 
==Usable Film Stock for this Camera==
 
==Usable Film Stock for this Camera==
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| 10
 
| 10
 
| 11°
 
| 11°
| 9
+
|
|No Super8 film stock available at the moment (2011)
+
|Kodachrome 8 mm film
 
|-
 
|-
 
| 12
 
| 12
 
| 12°
 
| 12°
 
| 11
 
| 11
|No Super8 film stock available at the moment (2011)
+
|Gevacolor 8 mm reversal film, later Agfa Dia-Direct
 
|-
 
|-
 
| 16
 
| 16
 
| 13°
 
| 13°
| 14
+
| 11
|No Super8 film stock available at the moment (2011)
+
|Agfacolor 8 mm reversal film
 
|-
 
|-
 
| 20
 
| 20
 
| 14°
 
| 14°
 
| 16
 
| 16
| No Super8 film stock available at the moment (2011)
+
| Adox CMS 20
 
|-
 
|-
 
| 25
 
| 25
 
| 15°
 
| 15°
 
| 22
 
| 22
| No Super8 film stock available at the moment (2011)
+
| old Agfacolor, Kodachrome II and (later) Kodachrome 25
 
|-
 
|-
 
| 32
 
| 32
 
| 16°
 
| 16°
| 28
+
| 22
| No Super8 film stock available at the moment (2011)
+
| Kodak Panatomic-X
 
|-
 
|-
 
| 40
 
| 40
 
| 17°
 
| 17°
 
| 32
 
| 32
| No Super8 film stock available at the moment (2011)
+
| Kodachrome 40 (movie)
 
|-
 
|-
 
| 50
 
| 50
 
| 18°
 
| 18°
 
| 45
 
| 45
| Cineva 50D, Fujichrome Velvia 50, Kahl UT 18 Chrome, Spectra V 50D, Wittner Chrome V50D, Pro8mm Pro8/01
+
| Fuji RVP ([[Velvia]]), Ilford Pan F Plus, Kodak Vision2 50D 5201 (movie)
 
|-
 
|-
 
| 64
 
| 64
 
| 19°
 
| 19°
| 56
+
| 45
| Pro8mm Pro8/22
+
| Kodachrome 64, Ektachrome-X
 
|-
 
|-
 
| 80
 
| 80
 
| 20°
 
| 20°
 
| 65
 
| 65
| No Super8 film stock available at the moment (2011)
+
| Ilford Commercial Ortho
 
|-
 
|-
 
| 100
 
| 100
 
| 21°
 
| 21°
 
| 90
 
| 90
| Ektachrome 100D 7285, Kahl UT 21 Chrome, Pro8mm Pro8/85, Pro8mm Pro8/12, Wittner Chrome 100D, FOMA Fomapan R100
+
| [[Kodacolor (still photography)|Kodacolor Gold]], Kodak T-Max (TMX), [[Provia]]
 
|-
 
|-
 
| 125
 
| 125
 
| 22°
 
| 22°
| 110
+
| 90
| ORWO UN 54
+
| [[Ilford FP|Ilford FP4+]], Kodak Plus-X Pan
 
|-
 
|-
 
| 160
 
| 160
 
| 23°
 
| 23°
 
| 130
 
| 130
| Pro8mm Pro8/43, Kodak Vision2 200T (**), Kodak Vision3 200T (**), Kodak Tri-X 7266
+
| [[Fujicolor Pro|Fujicolor Pro 160C/S]], Kodak High-Speed Ektachrome, Kodak Portra 160NC and 160VC
 
|}
 
|}
  
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# ISO arithmetic speeds from 10 to 160 are taken from ISO 12232:1998 (Table 1, p. 9).
 
# ISO arithmetic speeds from 10 to 160 are taken from ISO 12232:1998 (Table 1, p. 9).
 
# [http://en.wikipedia.org/wiki/Film_speed Source for Table shown above]
 
# [http://en.wikipedia.org/wiki/Film_speed Source for Table shown above]
# (**) Even though the filmstock is rated as ISO 200/24°, the cartridges should be notched as ISO 160/23°
+
 
 +
Table will be renewed after the next issue of the "schmalfilm"-magazine where all Super8 Film Stok will be listed.
  
 
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